To fulfil educational, socio-cultural and economic need of society - hilly and rural region.
To impart quality education through traditional and innovative learning practices.
Name | Mode | Duration |
---|---|---|
B. A. | Regular | 3 year |
M.A. | distance | 2 year |
Sanctioned | Filled | |
---|---|---|
Professors | 0 | 0 |
Associate Professors | 0 | 0 |
Asst. Professors | 2 | 2 |
Name | Qualification | Designation | Specialization | No. Of Years Experience |
---|---|---|---|---|
JADHAV MAHADEV JAYSHING | M.A, SET, NET, Ph.d | Asst. Professor | Modern Literature | 14 |
CHAVAN PRERANA LAXMAN | M.A, SET, Ph.d | Asst. Professor | Bhashavidnyan | 14 |
PSO1 | To create awareness about the love of mothertounge and human values among the students. |
PSO2 | To develop skill of learning language among the students. |
PSO3 | To enable students for the competitive exmainations. |
PSO4 | To enable students to work in various fields of language like translation, summary writing etc. |
PSO5 | To introduce the students about the use of language in various medias. |
PSO1 | To develop the interest of the students about the Marathi language and Literature. |
PSO2 | To inttoduce students about the traditions, writers and poets of Marathi literatures. |
PSO3 | To create interest about Marathi language and other languages among the students . |
PSO4 | To introduce various types of Marathi literature to the students. |
PSO5 | To introduce students various moments of Marathi literature. |
Course specific outcomes-
Paper No | Name of Paper | Specific Outcomes |
---|---|---|
I | Aksharband | Marathi Language Literature Writer-Poet Mother Tongue National Integration Awareness of High Human Values Personality Development Films and Media |
II | Aksharband | The students developed a love of writing by introducing the poetic tradition poet poet writer |
III | Kay denger wara sutalya (Gadya) | Civilization, culture, national unity and brotherhood are enhanced through the study of drama by the students with an understanding of drama and their communication skills are developing. |
Iv | Kavyagandha (padya) | Poetry writing skills are being inculcated in the students through demonstrations |
V | Mati pankh Aani akash (Gadya) | This type of autobiography is being developed with the introduction of autobiographical writing skills |
VI | Jugad (padya) | The novel genre has become known and writing skills are being developed in the news |
VII | kavyashatra | The process of producing literature based on medieval poetry and the ornaments of language are becoming known |
VIII | Bhashavidnyan Aani Marathi Bhash | By explaining the relationship between Marathi language and linguistics, the interest of students towards Marathi language is being determined |
IX | Marathi Vangmayacha Itihas | With the introduction of medieval Marathi literary traditions and history, the nature of Marathi language and texts of that period became clear |
X | Marathi Bhasha Upyojan Aani sarjan | Students' personality development is taking place by developing linguistic skills and abilities in various fields |
XI | Vangmay pravache Adhyayan (Gramin sahitya) | Understanding the characteristics and development of the inspirational nature of the rural literary stream, the relevant literary streams are being assessed through the victim's literary work |
XII | Kavyashatra | Shabdashakti Ras process is developing students' literary approach by understanding the taste process |
XIII | Bhashavidnyan Aani Marathi Bhash | Change the meaning of language Students' interest in Marathi language is developing by explaining Marathi word system |
XIV | Marathi Vangmayacha Itihas | The nature of the Marathi language of that period is becoming clear with the introduction of Marathi literary traditions and history |
XV | Marathi Bhasha Upyojan Aani sarjan | Public relations skills requirements and techniques are being assimilated by explaining linguistic transactions according to formal and informal sectors |
XVI | Vangmay pravache Adhyayan (Dalit sahitya) | he inspirational features and development of the Dalit literary stream are being explained and the relevant literary streamse being assessed through sumbh and peel. |
Year | CLASS | No of Student |
---|---|---|
2015-16 | FY | 212 |
SY | 76 | |
TY | 20 | |
2016-17 | FY | 122 |
SY | 43 | |
TY | 30 | |
2017-18 | FY | 198 |
SY | 55 | |
TY | 32 | |
2018-19 | FY | 221 |
SY | 84 | |
TY | 26 | |
2019-20 | FY | 56 |
SY | 35 | |
TY | 14 | |
2020-21 | FY | 174 |
SY | 26 | |
TY | 12 | |
2021-22 | FY | 174 |
SY | 26 | |
TY | 10 | |
2022-23 | FY | 113 |
SY | 57 | |
TY | 22 |
Name of Student | Position Held | Contact No | |
---|---|---|---|
1 | Mahajan Pramila Aanda | Teacher | 9370323207 |
2 | Kalekar Dipika Narayan | Teacher | 9730766166 |
3 | Injulkar sharad Ramchndra | Police | 9890317328 |
4 | Patil Ravndra Rangrav | Reporter | 9767251717 |
5 | Nikam Sulbha sachin | Bank sakhi | 9405773441 |
6 | Borge Dhanaji Namdev | Medical representative | 9049509598 |
7 | Davang Nagesh Sarjerao | Agriculture service center | 9503656529 |
8 | Jambhale Saurabha Ganpati | Builders & deveiopers | 9595521415 |
9 | Barale Kedar Babasaheb | Centring Construcation | 9130219292 |
10 | Patil Gopinath Bhikaji | Digital printing | 9158347571 |
11 | Pandav Ajit Krishnant | Private service | 9765034749 |
Guest Lectures
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